| Antonio Sabato Jr. | ... | Michael | |
| Deanna Russo | ... | Serena | |
| Nicholas Irons | ... | Nicholai | |
| Cary-Hiroyuki Tagawa | ... | The Steward | |
| P.J. Marino | ... | Raymond | |
| James Patric Moran | ... | Ronnie | |
| Julian Berlin | ... | Jessica | |
| Adrian Neil | ... | Simon | |
| rest of cast listed alphabetically: | |||
| Georgi Chapkunov | ... | Serena's Father | |
| Tanya Kozhuharova | ... | Junkie Ghost (as Tanya Kojuharova) | |
| Vladimir Mihailov | ... | Luis | |
| Hristo Mitzkov | ... | Andrew (as Hristo Mitskov) | |
| Zhasmina Toskova | ... | Seductress Ghost (as Jasmina Toshkova) | |
Directed by | |||
| James Oxford | |||
Writing credits(in alphabetical order) | ||
| Glenn R. Bloom | writer | |
| Rob Mecarini | written by | |
Produced by | |||
| Jeffrey Beach | .... | producer | |
| John Cappilla | .... | line producer | |
| Phillip J. Roth | .... | producer | |
| T.J. Sakasegawa | .... | co-producer | |
Original Music by | |||
| Nathan Furst | |||
Cinematography by | |||
| Anton Bakarski | |||
Film Editing by | |||
| John Quinn | |||
Casting by | |||
| Natalie Avital | |||
Production Design by | |||
| Kes Bonnet | |||
Makeup Department | |||
| Daniela Avramova | .... | makeup artist | |
| Mariana Love | .... | key makeup artist | |
| Maria Stankovich | .... | makeup artist | |
Production Management | |||
| Larry Ferguson Jr. | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Asya Chakarova | .... | second assistant director | |
| Todor Chapkanov | .... | first assistant director | |
| Mariana Vodenicharova | .... | second second assistant director | |
Art Department | |||
| Viara Sirkova | .... | props | |
Sound Department | |||
| Ryan Anthony Arakaki | .... | adr assistant sound editor | |
| Matthew C. Beville | .... | adr mixer | |
| Patrick Dunnam | .... | sound effects editor | |
| Eric Lalicata | .... | sound re-recording mixer | |
| Eric Lalicata | .... | supervising sound editor | |
| Mark Messick | .... | additional character sound designer | |
| Dan Snow | .... | sound facility manager | |
Special Effects by | |||
| Stefan Razlojki | .... | armourer | |
Visual Effects by | |||
| Grits Carter | .... | system engineer | |
| Jivko Ivanov | .... | visual effects | |
| Joseph J. Lawson | .... | visual effects supervisor | |
Transportation Department | |||
| Rosen Dimitrov | .... | production driver | |
Other crew | |||
| Mario Georgiev | .... | production accountant | |
| Kristina Kambitova | .... | legal advisor | |
| Milena Karova | .... | production coordinator: Europe | |
| Ivan Mitov | .... | production assistant | |
| Petur Shipkov | .... | key production assistant | |
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| Shock Waves | The Killer Shrews | Cloverfield | Horror | The Black Hole |
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| Full cast and crew | Company credits | External reviews |
| IMDb Sci-Fi section | IMDb USA section | Add this title to MyMovies |
The opening with a group of strangers awakening to find themselves aboard an old broken down cargo vessel is sufficiently eerie enough, and the oddball spectre-like "steward" who gives the confused passengers a list of ship rules is menacing. None of them knows how they got there, or why.
It's not a bad premise, sort of a Twilight Zone approach. The movie at first looks like it's going to rip off "Death Ship" and some others, but actually finds its own direction. It manages to present the mystery of what is going on, who is behind it, etc. It avoids giving up too much information too soon and guides the audience along with well-timed expository dialog and some weird discoveries aboard the spooky vessel. It throws in some ghost-like apparitions, ancient ritualistic behavior, and a "test" which is graded coldly and positively. Not bad stuff, really.
But the longer the movie goes on, the weaker it gets. Many characters are so cliché and obviously marked for unpleasant fates, that it's laughable. Some of the special effects look like they were done with an Etch-a-Sketch toy. Most of the cast (fortunately those who make early exits) act at about the kindergarten play level. However, the longer-lasting people act better; and their characters have some dimension. The resolution actually shows some thought was put into it.
A decent flick for a rainy weekend afternoon.