| Paul Cram | ... | Craig Teller | |
| Chars Bonin | ... | Randy Hancock | |
| Carson Lee | ... | Steve Johnson | |
| Cody Lyman | ... | Paul White | |
| Danny Salmen | ... | Mike Hancock | |
| Meisha Johnson | ... | Jennifer Wilkins (as Meisha P.J. Johnson) | |
| Kathryn Vento | ... | Ghost #1 | |
| Rachel Grubb | ... | Ghost #2 | |
| Carly McMenoman | ... | Ghost #3 | |
| Kati Batchelder | ... | Gallery Owner | |
| Mark Wipple | ... | Body Guard #1 | |
| Terry Jones | ... | Body Guard #2 | |
| Daniel Mayer | ... | Mr. Hancock |
Directed by | |||
| Dav Kaufman | |||
Writing credits(in alphabetical order) | ||
| Dav Kaufman | writer | |
Produced by | |||
| Kati Batchelder | .... | associate producer | |
| Dav Kaufman | .... | producer | |
| Ann Luster | .... | associate producer | |
| Kathy McMenoman | .... | executive producer | |
| Tom McMenoman | .... | executive producer | |
| Jasmine Reid | .... | producer | |
| Brandon M. Terrell | .... | associate producer (as Brandon Terrell) | |
| Johan Wallin | .... | executive producer | |
Original Music by | |||
| Chris Guttormson | |||
| Greg Hill | |||
Cinematography by | |||
| Adam Olson | |||
Film Editing by | |||
| Greg Hill | |||
Production Design by | |||
| Cheri Anderson | |||
Makeup Department | |||
| Crist Ballas | .... | makeup department head | |
| Crist Ballas | .... | special makeup effects artist | |
| Nate Courteau | .... | special makeup effects artist | |
| Mary Farrell | .... | special makeup effects artist | |
| Jennifer M. Kelly | .... | key hair stylist | |
| Jennifer M. Kelly | .... | key makeup artist | |
| Jennifer M. Kelly | .... | special makeup effects artist (as Jennifer Kelly) | |
Production Management | |||
| Kati Batchelder | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Sarah Storbakken | .... | second assistant director | |
| Brandon M. Terrell | .... | first assistant director (as Brandon Terrell) | |
Art Department | |||
| Tracy Anderson | .... | art department assistant | |
| Colleen Beach | .... | set dresser | |
| Danny Dikel | .... | art department assistant | |
| Jeff Hendrix | .... | set constructor | |
| Tyler Jensen | .... | art department assistant | |
| Lena Lopal | .... | art department assistant | |
| John Mackin | .... | art department assistant | |
| Matthew Reuland | .... | art department assistant | |
| Matthew Reuland | .... | art department buyer | |
| Sarah Storbakken | .... | art department assistant | |
| Tonile Topeff | .... | art department assistant | |
Sound Department | |||
| Chris Guttormson | .... | sound designer | |
| Nick Guttormson | .... | boom operator | |
| Greg Hill | .... | sound designer | |
| Greg Hill | .... | sound mixer | |
| Greg Hill | .... | sound re-recording mixer | |
| David Nichols | .... | boom operator | |
| Tonile Topeff | .... | foley artist | |
Visual Effects by | |||
| Kyle Belko | .... | digital compositor | |
| Ashley Besser | .... | digital compositor | |
| Kyle Franke | .... | digital compositor | |
| Michael Heagle | .... | visual effects supervisor | |
| Danny Kimura | .... | ghost visual effects | |
| Dean Rockne | .... | animator | |
Camera and Electrical Department | |||
| Martin Alexander | .... | grip | |
| Jason Brown | .... | still photographer | |
| Matt Carlson | .... | grip | |
| Jean Dalsin | .... | grip | |
| Nick Foster | .... | gaffer | |
| Jake Gardner | .... | Steadicam operator | |
| Kristina Harris | .... | dolly grip | |
| Ben Hippely | .... | grip | |
| Martin Johnson | .... | grip | |
| Stephen Kane | .... | grip | |
| Silas Kindy | .... | grip | |
| Shannon McCarville | .... | grip | |
| Tom McGovern | .... | grip | |
| Andrew Melby | .... | grip | |
| Matt Muegge | .... | grip | |
| Meredith Nunnikhoven | .... | Steadicam assistant | |
| Mike Pedric | .... | grip | |
| Zach Rasmussen | .... | grip | |
| Matthew Sandvik | .... | videographer: behind-the-scenes footage | |
| Thomas Schwingle | .... | first assistant camera (as T.J. Schwingle) | |
| Brandon Skiem | .... | still photographer | |
| Ryan Thompson | .... | grip | |
| Brian Walstad | .... | first assistant camera | |
| Alex West | .... | grip | |
| Darin Wiley | .... | grip | |
Editorial Department | |||
| Danny Kimura | .... | color correction (as Danny S. Kimura) | |
Music Department | |||
| Chris Guttormson | .... | composer: theme music | |
| Greg Hill | .... | musical director | |
Other crew | |||
| Monique Burke | .... | production secretary | |
| Joel Gillman | .... | production assistant | |
| Lisa Grossman | .... | script supervisor | |
| Dee Kriskovich | .... | craft service | |
| Mariquita Lewis | .... | office assistant | |
| Katherine Loudenslager | .... | production assistant | |
| Amy Mattila | .... | on-set masseuse | |
| Shannon McCarville | .... | script supervisor: day player | |
| Josh Rice | .... | office assistant | |
| Ben Thompson | .... | production assistant | |
Thanks | |||
| Christopher K. Grap | .... | thanks | |
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| 100 Feet | The Haunting in Connecticut | Spider-Man 2 | Halloween 5 | The Taking of Pelham 1 2 3 |
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| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb USA section | Add this title to MyMovies |
I watched this film last night, and I was quite impressed. It encompassed everything I would hope from a low-budget independent film, but always find myself disappointed time and again. This film gallantly strayed from the usual excessive blood and guts and T & A that some filmmakers use to make up for a nothing story line, and I applaud director Dav Kaufman for having the guts to break free from the routine and tired formula and present something not only suspenseful, but fresh and entertaining as well especially on his debut film. That's a risk the majority of filmmakers are afraid to take, even seasoned ones, and it paid off rather well. I know from experience that this director has a career in front of him.
The relationships between the thieves I found both intriguing and believable. I can't help but to wonder how things would have turned out for them if the ghosts didn't intervene. The acting talents of the cast (who I assume on a low-budget film such as this were paid nothing) while certainly not Oscar worthy, but served their characters well. What was obvious was that they understood their characters enough to make us believe their motivations, their struggles, and their internal conflicts, or lack thereof as is the case with the older brother.
This film reminded me of the subtle Hitchcockian suspense films of the old days. It's not what you're shown that scares you, it's what you're led to believe might happen that does. But I also think that with today's more sophisticated and cynical audiences, this film may be placed in the "underappreciated" category.
I see some others have inaccurately compared this movie to the likes of Reservoir Dogs. Comparing the two is like comparing a Mercedes to a School Bus because they both have four tires and a windshield. By that rationale, every zombie movie is a rip-off of every other zombie movie, every vampire film, every football or baseball film, and so on.
If all you watch movies in this genre for is to be shocked by graphic and gory scenes which pose as a sacrifice for a good, solid story, and does nothing but insult your intelligence, then this is not the film for you. If you prefer a more sophisticated, keep-you-hooked suspense film with an intriguing story then I highly recommend this one! I look forward to more from this director.