| Paul Cram | ... | Craig Teller | |
| Chars Bonin | ... | Randy Hancock | |
| Carson Lee | ... | Steve Johnson | |
| Cody Lyman | ... | Paul White | |
| Danny Salmen | ... | Mike Hancock | |
| Meisha Johnson | ... | Jennifer Wilkins (as Meisha P.J. Johnson) | |
| Kathryn Vento | ... | Ghost #1 | |
| Rachel Grubb | ... | Ghost #2 | |
| Carly McMenoman | ... | Ghost #3 | |
| Kati Batchelder | ... | Gallery Owner | |
| Mark Wipple | ... | Body Guard #1 | |
| Terry Jones | ... | Body Guard #2 | |
| Daniel Mayer | ... | Mr. Hancock |
Directed by | |||
| Dav Kaufman | |||
Writing credits(in alphabetical order) | ||
| Dav Kaufman | writer | |
Produced by | |||
| Kati Batchelder | .... | associate producer | |
| Dav Kaufman | .... | producer | |
| Ann Luster | .... | associate producer | |
| Kathy McMenoman | .... | executive producer | |
| Tom McMenoman | .... | executive producer | |
| Jasmine Reid | .... | producer | |
| Brandon M. Terrell | .... | associate producer (as Brandon Terrell) | |
| Johan Wallin | .... | executive producer | |
Original Music by | |||
| Chris Guttormson | |||
| Greg Hill | |||
Cinematography by | |||
| Adam Olson | |||
Film Editing by | |||
| Greg Hill | |||
Production Design by | |||
| Cheri Anderson | |||
Makeup Department | |||
| Crist Ballas | .... | makeup department head | |
| Crist Ballas | .... | special makeup effects artist | |
| Nate Courteau | .... | special makeup effects artist | |
| Mary Farrell | .... | special makeup effects artist | |
| Jennifer M. Kelly | .... | key hair stylist | |
| Jennifer M. Kelly | .... | key makeup artist | |
| Jennifer M. Kelly | .... | special makeup effects artist (as Jennifer Kelly) | |
Production Management | |||
| Kati Batchelder | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Sarah Storbakken | .... | second assistant director | |
| Brandon M. Terrell | .... | first assistant director (as Brandon Terrell) | |
Art Department | |||
| Tracy Anderson | .... | art department assistant | |
| Colleen Beach | .... | set dresser | |
| Danny Dikel | .... | art department assistant | |
| Jeff Hendrix | .... | set constructor | |
| Tyler Jensen | .... | art department assistant | |
| Lena Lopal | .... | art department assistant | |
| John Mackin | .... | art department assistant | |
| Matthew Reuland | .... | art department assistant | |
| Matthew Reuland | .... | art department buyer | |
| Sarah Storbakken | .... | art department assistant | |
| Tonile Topeff | .... | art department assistant | |
Sound Department | |||
| Chris Guttormson | .... | sound designer | |
| Nick Guttormson | .... | boom operator | |
| Greg Hill | .... | sound designer | |
| Greg Hill | .... | sound mixer | |
| Greg Hill | .... | sound re-recording mixer | |
| David Nichols | .... | boom operator | |
| Tonile Topeff | .... | foley artist | |
Visual Effects by | |||
| Kyle Belko | .... | digital compositor | |
| Ashley Besser | .... | digital compositor | |
| Kyle Franke | .... | digital compositor | |
| Michael Heagle | .... | visual effects supervisor | |
| Danny Kimura | .... | ghost visual effects | |
| Dean Rockne | .... | animator | |
Camera and Electrical Department | |||
| Martin Alexander | .... | grip | |
| Jason Brown | .... | still photographer | |
| Matt Carlson | .... | grip | |
| Jean Dalsin | .... | grip | |
| Nick Foster | .... | gaffer | |
| Jake Gardner | .... | Steadicam operator | |
| Kristina Harris | .... | dolly grip | |
| Ben Hippely | .... | grip | |
| Martin Johnson | .... | grip | |
| Stephen Kane | .... | grip | |
| Silas Kindy | .... | grip | |
| Shannon McCarville | .... | grip | |
| Tom McGovern | .... | grip | |
| Andrew Melby | .... | grip | |
| Matt Muegge | .... | grip | |
| Meredith Nunnikhoven | .... | Steadicam assistant | |
| Mike Pedric | .... | grip | |
| Zach Rasmussen | .... | grip | |
| Matthew Sandvik | .... | videographer: behind-the-scenes footage | |
| Thomas Schwingle | .... | first assistant camera (as T.J. Schwingle) | |
| Brandon Skiem | .... | still photographer | |
| Ryan Thompson | .... | grip | |
| Brian Walstad | .... | first assistant camera | |
| Alex West | .... | grip | |
| Darin Wiley | .... | grip | |
Editorial Department | |||
| Danny Kimura | .... | color correction (as Danny S. Kimura) | |
Music Department | |||
| Chris Guttormson | .... | composer: theme music | |
| Greg Hill | .... | musical director | |
Other crew | |||
| Monique Burke | .... | production secretary | |
| Joel Gillman | .... | production assistant | |
| Lisa Grossman | .... | script supervisor | |
| Dee Kriskovich | .... | craft service | |
| Mariquita Lewis | .... | office assistant | |
| Katherine Loudenslager | .... | production assistant | |
| Amy Mattila | .... | on-set masseuse | |
| Shannon McCarville | .... | script supervisor: day player | |
| Josh Rice | .... | office assistant | |
| Ben Thompson | .... | production assistant | |
Thanks | |||
| Christopher K. Grap | .... | thanks | |
|
|
|
|
|
| 100 Feet | The Haunting in Connecticut | Spider-Man 2 | Halloween 5 | The Abandoned |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb USA section | Add this title to MyMovies |
The beginning of 13 Hours in a Warehouse did not bring me too much confidence...two minutes of slooooow credits made with a pretty ugly design,badly done special effects and letters from three different fonts which pretend to be creepy and the number 13 from the title drawn with blood.The first scene from the movie makes an improvement,while director and screenwriter Dav Kaufman confirms the phrase which was used to sell this movie : "Reservoir Dogs but with ghosts".13 Hours in a Warehouse is very far away from being an excellent movie but at least,it is a competent one.As I said,this movie shares a lot of similarities with Reservoir Dogs and it does not get even a pinch of the atmosphere,tension and dialogues from that brilliant movie...but at least it tries.On this movie,the long conversations between the main characters try to find the strange balance between humor,realism and pop sensibility director and screenwriter Quentin Tarantino used as an apparent challenge for hundreds of filmmakers who said : "I can also write about hamburgers" (like he did during a scene of Pulp Fiction which has the famous line "Royale with cheese").Films like 13 Hours in a Warehouse show that that things Tarantino does are difficult to do,although they seem easy at first sight.Kaufman fell on that trap,so some dialogues feel forced (for example,the "funny" discussion about Robin Williams and the films he participates on).The supernatural events from this movie are shown with subtleness and style and the reactions from the characters are realistic.I have to admit the movie fulfills with the intention of provoking suspense.Kaufman brought a solid direction and his work on that field is above the average from another straight-to-DVD horror films.But his work as a screenwriter was not as good as his work as a director.Besides some dialogues which are forced (as I previously mentioned),there are elements which do no flow naturally.Going back to the positive points,the dramatic scenes are the best element from this movie,specially when it is revealed the origins of the supernatural elements and its relationship with some of the criminals.I also appreciated this movie is more interested in atmosphere and tension than in showing litres and litres of blood,as difference to so many horror films.13 Hours in a Warehouse is not an excellent film and it is extremely far away from it.But,in spite of having various fails (specially,on the screenplay),this is a competent horror film which kept me entertained and tense.