| Joanne Woodward | ... | Dr. Cornelia Wilbur | |
| Sally Field | ... | Sybil Dorsett | |
| Brad Davis | ... | Richard J. Loomis | |
| Martine Bartlett | ... | Hattie | |
| Jane Hoffman | ... | Frieda Dorsett | |
| Charles Lane | ... | Dr. Quinoness | |
| Jessamine Milner | ... | Grandma Dorsett | |
| William Prince | ... | Willard Dorsett | |
| Penelope Allen | ... | Miss Penny | |
| Camila Ashland | ... | Cam | |
| Tommy Crebbs | ... | Matthew Loomis | |
| Gina Petrushka | ... | Dr. Lazarus | |
| Harold Pruett | ... | Danny | |
| Natasha Ryan | ... | Child Sybil | |
| Paul Tulley | ... | Dr. Castle | |
| Anne Beesley | ... | The Selves (as Elizabeth Ann Beesley) | |
| Virginia Campbell | ... | The Selves | |
| Missy Karn | ... | The Selves | |
| Tasha Lee | ... | The Selves | |
| Cathy Lynn Lesko | ... | The Selves | |
| Rachel Longaker | ... | The Selves | |
| Jennifer McAllister | ... | The Selves / Vicky (as Jenifer McAlister) | |
| Kerry Muir | ... | The Selves | |
| Karen Obediear | ... | The Selves | |
| Tony Sherman | ... | The Selves | |
| Danny Stevenson | ... | The Selves | |
| rest of cast listed alphabetically: | |||
| Gordon Jump | ... | Tractor farmer (uncredited) | |
| Lionel Pina | ... | Tommy (uncredited) | |
Directed by | |||
| Daniel Petrie | |||
Writing credits | ||
| Flora Rheta Schreiber | (book) | |
| Stewart Stern | (teleplay) | |
Produced by | |||
| Jacqueline Babbin | .... | producer | |
| Philip Capice | .... | executive producer | |
| Peter Dunne | .... | executive producer | |
Original Music by | |||
| Leonard Rosenman | |||
Cinematography by | |||
| Mario Tosi | (director of photography) | ||
Film Editing by | |||
| Michael S. McLean | (as Michael McLean) | ||
| Rita Roland | |||
Casting by | |||
| Dianne Crittenden | (as Diane Derfner Crittenden) | ||
Production Design by | |||
| Tom H. John | |||
Set Decoration by | |||
| John H. Anderson | (as John Anderson) | ||
Costume Design by | |||
| Patricia Norris | |||
Makeup Department | |||
| Janis Clark | .... | hair stylist | |
| Robert Norin | .... | makeup artist (as Robert N. Norin) | |
Production Management | |||
| Gene Fowler Jr. | .... | post-production supervisor (as Gene Fowler) | |
| Marty Hornstein | .... | unit production manager | |
| Neil T. Maffeo | .... | executive in charge of production | |
| Lee Rich | .... | production supervisor | |
| Lynn Guthrie | .... | production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Gary Adelson | .... | second assistant director | |
| Anthony Brand | .... | first assistant director | |
Art Department | |||
| Russell Goble | .... | property master | |
| Al Rohm | .... | construction coordinator | |
Sound Department | |||
| Victor Guarnier | .... | sound effects supervisor | |
| Dick Kupper | .... | loop editor | |
| Al Overton | .... | post-production sound mixer | |
Camera and Electrical Department | |||
| Holly Bower | .... | still photographer | |
| Gene Griffith | .... | key grip | |
| Joel King | .... | camera operator | |
| Joe Pender | .... | gaffer | |
| Joseph Cosko Jr. | .... | second assistant camera (uncredited) | |
Casting Department | |||
| Shirley Rich | .... | casting consultant | |
Editorial Department | |||
| LaReine Johnston | .... | assistant editor (as La Reine Johnston) | |
| Bob Pickarts | .... | assistant editor | |
Music Department | |||
| Ken Runyon | .... | music editor | |
| Dan Wallin | .... | score mixer (uncredited) | |
Other crew | |||
| H. Bud Otto | .... | script supervisor | |
| Patricia A. Sonsini | .... | production coordinator | |
| Cornelia Wilbur | .... | psychiatric consultant (as Cornelia B. Wilbur) | |
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| The Three Faces of Eve | Girl, Interrupted | Carrie | The Best Little Girl in the World | Sisters |
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The 30th anniversary DVD edition of Sybil was released in July. As Shirley Mason's (aka Sybil)long time friend, I was included in the documentary about the making of the movie. The documentary is a fascinating recap of how the movie was cast and how it came to be. However, I was disappointed that Shirley Mason is not mentioned anywhere in the documentary, and her name is not even shown on her paintings in the gallery. Shirley was a person to me, not a fictional character. I was told that her name couldn't be mentioned because of contractual agreements with the author of the book. Shirley Mason WAS Sybil and her life as an artist in Kentucky should not be minimized. Since Sybil is a story of abuse, but also one of recovery, I feel my friend was denied the recognition she deserves as a survivor of abuse, as a wonderful artist, as a warm, kind lady who lived a quiet life of dignity in Lexington. If and when my book, Life After Sybil... From the Words of Shirley Mason, gets published, I intend to correct that omission. Regards, Sybil's Friend ... Nancy Preston